Showing posts with label OUGD201. Show all posts
Showing posts with label OUGD201. Show all posts

Tuesday, 22 November 2011

End of Module Self Evaluation. OUGD201


BA (Hons.) GRAPHIC DESIGN
LEVEL 
05
 Module Code  
OUGD201


 Module Title
DESIGN PRODUCTION - PRINT


END OF MODULE SELF-EVALUATION

NAME
KIRSTY FRUIN
BLOG. ADDRESS

1.  What skills have you developed through this module and how effectively do you think you have applied them?
This module has provided me with more in-depth Illustrator and InDesign skills as I have forced myself to use these pieces of software for this exact purpose; I didn’t think my skills were at a high enough standard prior to this module and still have an awful lot to learn. I used Illustrator software to create my artwork and Issuu content and have used InDesign to produce my concept baords and develop my typography skills. I have developed skills in print production and now have a core understanding of the print processes available and how to prepare my artwork for commercial print. Now that I have this knowledge I can build upon it and use the techniques in a more creative manor. I have also learnt basic typography skills which I can, and have begun, to use this to inform my design design decisions; how you present type can truly adjust the way in which informatin is portrayed.

2. What approaches to/methods of design production have you developed and how have they informed your design development process?
In putting together my Issuu document and preparing my artwork for commercial print, I have realised the sheer amount of information I have learnt in this module. I have now begun to consider these techniques and the printing options available to me right from the very offset. When I now produce my initial designs for my product I annotate my designs with proposed print processes and stock options I could use, this then determines the document setup and colour palette I use when I get onto the computer to design digitally; for example, if I am designing for digital print I will need to ensure that my document is set up in cmyk colour mode and that I do not use any spot colours. Once I have designed my artwork I am then required to provide the necessary information to the printers; this is done through the notes attached to the pdf, named swatches used for specific print processes and the incorporation of printers marks. All in all, I take a more informed approach to designing my artwork and take into account a lot more print considerations.

3. What strengths can you identify in your work and how have/will you capitalise on these?
The work I produce is very informed and conceptualised; I prefer to design on a brief which has a clear target audience, tone of voice and context in which it will be seen in. In ensuring this I feel the work I produce is more ‘live’ and ‘real’ in the world, therefore having more meaning. I want to continue this throughout my designs, to do this I will ensure I write regular rationals outlining the above information. My design work has become more considered and structured, this is due to me taking a lot more design decisions into consideration when designing my artwork; such as type, grid, layout, colour, stock and print processes. I will continue to do this in more depth in order to further inform my design outcomes. I have made a conscious effort to time plan on a regular basis, this is to ensure I utilise the time available to me and get the tasks done which are necessary to my development. I will continue to post these to-do lists and time plans to my blog. I also strove to include primary research into this module as this is one area which has been lacking in previous modules. I will continue to do this as I have realised how much design is out in the real world and how the smallest design decision can influence your own design. I have begun to ask for help when I need it now and will definitely continue to do so; I have realised the tutors in and aound college are here to help, no matter how small a problem may seem. This has helped me especially when it comes to working digitally on the macs. 

4. What weaknesses can you identify in your work and how will you address these in the future?
I need to be more creative with the design choices I make as I feel I stayed quite safe with the packaging and promotional material I both produced and propsed. I did not explore as many printing processes as I could have; I mainly proposed to use litho print, die cut and foil blocking. I need to ‘think big’ and explore areas unknown to me as this is the only way I am truly going to be able to further my creativity within my designs. I also need to push my designs forward into multiple areas and consider applications of my designs other than the obvious. I need to work at a consistent pace from the onset of the brief; I found that I was working at a steady pace throughout the module, however, when it came to the final crit I rapidly became stressed in realising how little printed matter I had. I think this may have been to do with the fact that we had so long working on this brief that I became comfortable at desiging on paper and not getting my designs into digital format. Nevertheless, this then caused me to power on and work flat out for the week following which took it’s toll and caused me to produce some designs which I am less than happy with (poster and handout). To ensure this does not re-occur in the future I will utilise the time available to us with our tutors, as I can then ensure I am on track with the work I am producing. 

5. Identify five things that you will do differently next time and what do you expect to gain from doing these?
1//Engage with tutors on a regular basis to ensure I am working on track, this will ensure I do not have to rush any of my designs and produce at the highest quality I possibly can.
2//Be more creative with my design decisions; by taking into consideration how I can creatively use the print processes available to me, my designs will be enhanced and have a greater effect on my audience.
3//Attend all visiting professional talks that I can; I find these really motivate me and give me an insight in the real working graphic design world. This motivated attitude will help me produce more work and seeing the professionals work will allow me to envisage how I see myself as a designer.
4//Pay that little bit more and print my concept boards in the digital dungeon. I made the mistake of not doing this and just printing them on two A3 sheets in the mac suites. However, this was extremely time consuming and did not provide me with the quality of print you can achieve in the dungeon. In printing in the digital dungeon, my concept boards will be of a higher quality and I will not be wasting time printing and aligning boards in the mac suites. Time is of the essence!
5//Use Issuu to document on my blog. I did try to do this but I faced problems with the file size. However, if I am able to rectify this problem it will result in my blog being a lot tidier and easier for navigate.

6.How would you grade yourself on the following areas: 
(please indicate using an ‘x’)  
5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor

1
2
3
4
5
Attendance




     x
Punctuality




     x
Motivation



     x

Commitment




     x
Quantity of work produced



     x
     
Quality of work produced



     x

Contribution to the group





The evaluation of your work is an important part of the assessment criteria and represents a percentage of the overall grade. It is essential that you give yourself enough time to complete your written evaluation fully and with appropriate depth and level of self-reflection. If you have any questions relating to the self evaluation process speak to a member of staff as soon as possible.

Monday, 21 November 2011

WHAT IS GOOD... Preparing Images for Commercial Print



As I have realised that I need to prepare my files for commercial print, not just ready for digital print. Therefore, I have been through my designs and incorporated swatches which indicate where die cutting, die cut perforation, die cut creasing, foiling are all required within my designs. I have also incorporated notes and crop marks into the pdf files which I am going to burn onto a cd for hand in....


I have also ensured that there are no unused swatches in my palette....


This will ensure only the four plates I want are used...


WHAT IS GOOD... Pushing my product further

In order to further my product, I am going to propose that I extend my product range so I have mocked up nets for paint brushes and pastels. I am also going propose an extended colour range so have used in these two designs...







...I have created this colour range which uses a tint of one colour to correspond to the grade of pencil; the darker the tint the more intense the grade of pencil.

WHAT IS GOOD... InDesign problems



A few times when designing my design boards on inDesign I came across the same problem which was flagged up to me in my pre-flight checks; this was that links were missing. I managed to fix this by re-linking the image where the link was missing.

WHAT IS GOOD ...Concept Boards

Well, today I have learnt an awful lot! First and foremost ....just spend the extra money to pay for prints in the dungeon. I had a printing slot this morning for the digital dungeon, however, I decided I could get the boards printed on 2 A3 sheets easily up in the mac suites ...or so I thought. It has taken me 3 hours today to print out my boards, line then up and get them stuck onto mount board. Not happy.

This is what they now look like....









I did manage to line the two halfs up considerably well, however, the colour difference is evident although I printed them from the same printer!


WHAT IS GOOD... Printing my A2 design boards onto A3 printouts

Printer set-up





I have had an absolute mare with this today, the technician said it was a case trial and error! This sure was true, with my print credits too....


Urgh!

WHAT IS GOOD... Saving my document as a PDF

I  am saving my documents as a PDF with the printers marks each of my documents will require.....


WHAT IS GOOD... Postcards//Foil Swatch2


I have realised that the colour I had used for the black foiling I wanted to create was too similar to the green I was already using, so I have changed it to a blue.

WHAT IS GOOD... Open Packaging

I forgot to open the packaging when shooting my products for my final design boards, so I have just taken  few shots now. Think it is important to show this as it has had a perforated cut applied to it....



Sunday, 20 November 2011

WHAT IS GOOD... Colour Palette

I have created a colour palette of swatches with the equivalent cmyk values  I have used in my designs...


I am going to use this in my concept boards.

WHAT IS GOOD//Alterations

Putting together my concept boards I am already beginning to crit my work and see potential improvements!

//I am thinking that if I had each of the different products coloured differently I would have been able to have the colour range I wanted to create without having to create multiples of each design; it would have also allowed each product to become it's own. This could be achieved through using a consistent colour on a product type (i.e brushes, pencils, pastels etc) or the grade of pencil (using tints to create a colour range which refers to the grade of pencil used)

//Incorporate the colour of the pencils into the packaging design. Currently, there is no indication to the colour other than the colour present on the packaging.

//Incorporate the grade of pencil into the packaging design.

//The colour of the postcard reverse. This was left white, however, if it had been coloured a brighter colour this may have made it more visually exciting.

//I could have varied the range of colours I duplexed with and the order in which the paper was layered to create the duplex.

//The shape of the pencils may be slightly in practical for everyone. The shape of the pencil made it easy to print onto, however, when they are used in context they may not suit everyone for comfort and ease despite me personally being able to use the pencils. Sharpening the pencils may also cause concern due to their shape and the shape of a standard pencil sharpener.

//I could have extended my range into pencil sharpeners as this is a tool which will undoubtedly need to be used if a pencil is being used.

//Bound my book. It has just come to light that I could have taken the time to go to Vernon street institution to personally bind my book, this would have given it much more value and appreciation.

//Improved, more thought out poster design that works in context.

....I could go on and on with alterations as there is always room for improvement in any design task!

WHAT IS GOOD//Print Processes Used in Products

I am putting together my concept boards and this list has helped me greatly:

//Pencil packaging: Litho printed, die cut net and perforated opening, UV varnish
//Pencil: PAD printed, UV varnish
//Notebook: Die cut perforated edge on first page, black foil on 'Notepad' text
//Keyring: black foil on 'Doodle' text, die cut hole in pages for keyring
//Poster: Die cut perforation and cut of tabs
//Handout: Duplex, black foil on text

I have used a fair amount of print processes within my designs and explored others which I haven't used. However, I do wish I had pushed my exploration of the possible print processes further as I feel this would have made my design even more visually exciting and unique.

As I now have photographs to work with, this is my new concept board plan...

Saturday, 19 November 2011

WHAT IS GOOD... Photographing Products

Today I went into college to photograph my products I printed out and made up last night and this morning. I took lots of photographs, so it is now just a case of selecting the images suitable for my concept boards. A few of the best...








My products were all printed on 140gsm white card using a 4 colour digital print. 
The 'Notepad' type on the notebook, 'Doodle' type on the doodle pad, 'The answer to a BIG problem' type on the flyers all have a black foil added onto them, this has been indicated in the pdf by a colour named 'black foil'. (This has also been indicated in the pdf notes)

For commercial print, I have also indicated the following print processes in the pdf file swatches and notes....
The pencil packaging will have die cut creases for the fold, die cut perforation and a die cut net, all indicated by a coloured swatch labelled with these names.
The doodle pad will also have a die cut hole for the keyring, again indicated by a coloured swatch labelled 'die cut'.
The poster will have a die cut perforation and cut tabs at the bottom, again indicated and labelled in the swatch palette.

WHAT IS GOOD... Design Sheets

































After designing these sheets I have realised my need for some better pens to design with, so I have brought myself some pro-markers!